I knew it! The Irish are plotting to overthrow America.
--via Atrios
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Letter From EastieNews and other items from East Boston, Massachusetts. |
Before the final vote on the [energy] bill, the House also voted to reject an amendment challenging a provision that would keep localities from exercising control over LNG facility construction. Representatives Michael Castle, a Delaware Republican, and Edward Markey, a Malden Democrat, cosponsored the measure. Markey and Castle wanted to take out a provision in which the Federal Energy Regulatory Commission would have final say over whether an LNG facility could be built or expanded. Under the measure as passed, the federal government would consult with state and local governments, but could ignore their objections.What was the Republican response to this?
Moreover, if local governments failed to meet a federal deadline for reviewing a proposal, they would be ''conclusively presumed" to have approved it. Local authorities could conduct safety inspections of LNG facilities, but would have no power to enforce citations.
Soaring natural gas prices have spurred 55 proposals to build new facilities to handle the super-cooled gas around North America, including stations in Fall River and off the coast near Gloucester. But local opponents believe the plants could be targets of terrorist attacks that would cause catastrophic damage.
The vote to reject the amendment followed a 20-minute debate, played out against a backdrop of a large Boston Globe photograph of an orange LNG tanker in Boston Harbor. Markey brought the poster-size photo into the chamber to bolster his argument that communities should have some control over whether LNG facilities should be built in their midst.
''Right behind the ship you can see East Boston High School," said Markey. ''If there was a terrorist attack, if there was an accident, you would not call the federal government. It would be the local police, the local fire department, the local emergency medical technicians that would respond."
. . .House Energy and Commerce Committee chairman Joe Barton, a Texas Republican, said, ''When I look at this [photograph], what I see is energy for America. I see security for America, and I also see safety. Admittedly it's a big boat, it looks threatening. . . . But we already have existing provisions in law to make sure these terminals that are already in existence are as safe as is possible to be."Proving once again that some Republicans are incapable of existing in the reality-based communtiy and write their speaches using the "George Orwell, 1984 Manual of Style." War is Peace, Freedom is Slavery, Love is Hate, and enough LNG to "produce a thermal blast that would set buildings on fire, melt steel out to 1,281 feet, and give people second-degree burns up to 4,282 feet away" is "security for America." I remember once upon a time, the Republican party actually thought that it was important to protect the rights of states and individuals and had some kind of integrity. Some still do:
[Representative] Castle argued that the provision ''tramples on the rights of states and individual communities," and a few of his fellow Republicans echoed that theme, including Representative Christopher Shays, a Republican of Connecticut. Markey also argued that there ''was no crisis" in energy supplies because the number of LNG facilities has gone from two in 2001 to five today, with six more licensed to be built.Basically the moral of the story is that with the current batch of Republicans controlling Congress if you have any kind of legislation that protects children, old people, veterans, animals, the environment, or basically anybody other than the millionaires and corporations, you can just kiss it goodbye.
But opponents of the amendment argued that the country needs more natural gas. Afterward, a congressional aide said the vote was lost after industry lobbyists convinced members from agricultural states that the measure would help ease the price of fertilizer.
Labels: boats, harbor, LNG, politics, ships, tankers, terrorism
Zumix and the CDC found out last week that the city's Department of Neighborhood Development had selected them to transform the building into a combination after-school program, performance space, and community center. Barbara Salfity, the department's director of real estate, said officials, who reviewed the bids, were impressed by the proposal's creative use of space and an outpouring of neighborhood support.
The plan calls for transforming the 1924 building on the edge of Maverick Square into an exhibition and performance space on the first floor. A gift shop would feature Zumix-produced compact discs and wares made by local artists. The basement would have recording studios and a computer lab, while a dance studio, sound-proof practice rooms, administrative offices, and community conference rooms would occupy the second floor, according to the proposal.
Scores of letters -- some written longhand, others typed on official-looking stationery -- extolling the virtues of the plans accompanied the proposal.
The deal isn't done yet. City Hall officials will present the plans to neighborhood residents May 9 at the Umana/Barnes Middle School. After local residents weigh in, the city's Public Facilities Commission is expected to vote on the plans later in May.
Al Caldarelli, president of the East Boston CDC, said dedicating the building to public endeavors would complement plans to build more than 1,000 apartments and condominiums on the Maverick waterfront in the next few years.
City officials will hold a public meeting to meet the developers of the former Engine Company 40 on May 9 from 6 to 8 p.m. in the auditorium of the Umana/Barnes Middle School on Border Street in East Boston.
Last week, a 14-year-old Dorchester girl was beaten, robbed, and left sprawled across the train tracks at the MBTA station in Milton. Four 15-year-old girls were arrested.Then the articles winds up by talking about anti-violence initiatives in general in East Boston:
Then, on Tuesday, two teenage sisters were arrested at Forest Hills after an assault on a 17-year-old girl. All three teenagers are students at West Roxbury High School, MBTA spokesman Joe Pesaturo said. The victim was punched in the face repeatedly and struck with an umbrella, Pesaturo said. She was taken to Children's Hospital with cuts on her head, face, and hands.
On Wednesday, a group of girls brawled at Ruggles Station. Yesterday, officials said, several teenage girls were detained at Forest Hills Station after an MBTA officer found a knife. A 14-year-old girl told an officer she was preparing to use the knife in a fight with a 16-year-old, a T official said.
Today, the transit police and other police agencies plan to saturate Forest Hills Station after school lets out. ''You have kids from as far as East Boston coming through Forest Hills," said MBTA police Detective Shirley Ostine, who is one of the officers involved in the effort. ''You're bound to find somebody who has a beef with somebody else."
Ostine said the problem is made worse because so many teenagers descend at once on the transit system, which T officials said was not designed to transport all of the schoolchildren it takes to and from school. New programs are needed to contend with the crowds of often feuding teens, they said.
Meanwhile, Menino's B-SMART initiative, which aims to tackle violence by addressing quality-of-life issues, is now about four months old. Yesterday in East Boston, officials from the mayor's office, the Police Department, inspectional services, and other agencies exchanged ideas and criticisms about neighborhood problems.
Inspectional services officers talked with police about which corners have the most gang graffiti. Police described a new patrol initiative they call ''Operation Criss Cross," which they said floods the high-crime Eagle Hill area with six daily patrols by uniformed and plainclothes officers.
One East Boston resident at the meeting told police he called in news of a fight and a station dispatcher hung up on him without getting a description of the alleged gang members involved. East Boston police district Captain Robert Cunningham asked what time the call was made and pledged to discipline the officer who answered.
Larry Mayes, the city's chief of human services, said the meetings are designed for just this type of give and take.
''I hope it will give a greater level of service to the residents of Boston," Mayes said.
Developer Roger Cassin predicts the views and nascent arts community of East Boston will make it the next locus of urban chic, and is building the 400-unit Clippership Wharf, located just three blocks from the Maverick MBTA stop. While acknowledging his debt to Rowes Wharf, Cassin points out the marketing edge he believes East Boston has: ''Would you rather be in the Financial District looking at East Boston, or in East Boston looking back toward the skyline?"Ah well, I'm sure I'll enjoy the "'green ribbon' of publicly accessible parkland along their perimeter."True to the guidelines of the East Boston Municipal Harbor Plan, the buildings at Clippership Wharf are set back to allow a ''green ribbon" of publicly accessible parkland along their perimeter. Prominent features will be a central cove for leisure craft and ferries to Boston and artists' housing that will open up onto an Arts Lawn for informal exhibitions.
While the wharf buildings will be set on infilled land, the Commonwealth has allowed such sites clear title, a law harkening back to Colonial times, and an important consideration for prospective condo buyers.
''When you get a license to create land, you own it," Cassin said. ''The condo owner at Clippership will have title just as if it were a lot in Brookline."
Cassin's architect, David Hancock of CBT/Childs Bertman Tseckares, said he drew inspiration from the Rowes Wharf design, as evidenced by the Clippership buildings' massing, which at the extreme waterfront ''steps down," thus forming balconies on certain prime units.
''Not that we were copying, but it was just the obvious answer to keep the open feeling and encourage public access," Hancock said.
At least one of the current crop of luxury waterfront housing schemes is eschewing the Rowes Wharf model -- developer Philip DeNormandie's Hodge Boiler Works project, to be located on the East Boston waterfront near Clippership Wharf.
''Unlike the projects with finger piers, this one is on terra firma," said John Tittmann of Albert, Righter & Tittmann, architect of the 116-unit building. ''But it will have the same setbacks and public access." The original boiler works were razed to make way for the new building, Tittmann said, although the design will pay homage to its industrial roots with elements like glass-block windows and extra-wide window bays.
Current denizens of waterfront living seem to welcome the new developments. Melanie d'Orio has lived for three years at Lincoln Wharf, converted from an old power plant on Commercial Street in the North End. She says it affords her family a chance to smell the briny sea air and relax to the throaty sound of tugboat horns, unachievable luxuries elsewhere.
''We couldn't get anything with a harbor view in Marblehead for less than $1.5 million," she said. ''My son is only 10 months old, but I think 'boat' will be his first word."
Federal and state environmental officials are seeking public feedback on proposed new pollution discharge permits they say will make Chelsea Creek cleaner.The draft permits are for seven petroleum storage facilities along the creek in Chelsea and Revere. The permits address the discharge of pollution in from storm water that drains through those sites.
Neil Handler, a permit writer for the US Environmental Protection Agency, said the permits are more stringent than existing ones, which are about to expire. For instance, the new permits would reduce the amount of benzene that could be discharged in storm water from 500 parts per billion to 51 parts per billion. Benzene is a cancer-causing chemical found in petroleum.
''It definitely will improve things and hopefully that addresses some of the concerns the community has about the creek," said Handler, who said the seven companies complied with the terms of the existing permits.
The EPA and the state Department of Environmental Protection are in charge of issuing water discharge permits in Massachusetts, under the federal Clean Water Act.
The agencies have extended the normal 30-day comment period on the draft permits to 60 days to give the public more opportunity to offer input, according to EPA spokeswoman Sheryl Rosner. The deadline for comments is May 12.
Chelsea Creek, also known as the Chelsea River, flows from the mouth of Mill Creek between Chelsea and Revere to Boston's inner harbor. For centuries, industries have located along the waterway, using it to ship raw materials and finished goods.
In recent years, a local citizens' organization, the Chelsea Creek Action Group, has been seeking restoration of the creek. The effort has been led by the Chelsea Green Space and Recreation Committee and by a group in East Boston organized by the nonprofit Neighborhood of Affordable Housing.
An EPA official will discuss the permits at a meeting, to be held at the office of the Neighborhood of Affordable Housing, 143 Border St., at 6:30 p.m. April 13.
Illegal Immigrants Are Bolstering Social Security With Billions
STOCKTON, Calif. - Since illegally crossing the Mexican border into the United States six years ago, Ángel Martínez has done backbreaking work, harvesting asparagus, pruning grapevines and picking the ripe fruit. More recently, he has also washed trucks, often working as much as 70 hours a week, earning $8.50 to $12.75 an hour.
Not surprisingly, Mr. Martínez, 28, has not given much thought to Social Security's long-term financial problems. But Mr. Martínez - who comes from the state of Oaxaca in southern Mexico and hiked for two days through the desert to enter the United States near Tecate, some 20 miles east of Tijuana - contributes more than most Americans to the solvency of the nation's public retirement system.
Last year, Mr. Martínez paid about $2,000 toward Social Security and $450 for Medicare through payroll taxes withheld from his wages. Yet unlike most Americans, who will receive some form of a public pension in retirement and will be eligible for Medicare as soon as they turn 65, Mr. Martínez is not entitled to benefits.
He belongs to a big club. As the debate over Social Security heats up, the estimated seven million or so illegal immigrant workers in the United States are now providing the system with a subsidy of as much as $7 billion a year.
While it has been evident for years that illegal immigrants pay a variety of taxes, the extent of their contributions to Social Security is striking: the money added up to about 10 percent of last year's surplus - the difference between what the system currently receives in payroll taxes and what it doles out in pension benefits. Moreover, the money paid by illegal workers and their employers is factored into all the Social Security Administration's projections.
Surface Tension, a show of new works by artists Kasia Bytnerowicz and Elizabeth Hathaway will be on view at the Atlantic Works Gallery at 80 Border St. in East Boston from April 4 to April 29, 2005. There will be a reception on April 8th from 7 to 9 p.m., and a potluck Third Thursday celebration on April 21, from 7 to 9 pm. In Surface Tension, both artists manipulate surfaces of canvas and paper to transcend the two-dimensional plane of painting.Elizabeth Hathaway’s acrylic paintings, such as Sedimentation, are a reflection of the tension between the subconscious and the conscious mind. Each painting is an accumulation of layers of varying texture, painted with different random patterns. In some instances the strata are sanded down to reveal rich veins of cadmium red and yellow through warm and cool blacks. The interaction of forms across the layers evokes the recurring but ever unique motifs of nature and of human social interaction.
Hathaway's other canvases explode with cocoon-like forms which protrude from the two-dimensional surface. In places the canvas is cut away and wire woven through to form armatures for cocoons of handmade Japanese paper toned with beeswax. They look like the pupae of some fantastic species of insect which chose the canvas for its metamorphosis. In one corner of the gallery, these cocoons spiral downward from a central point, creating a space where the viewers are encouraged to delve into their subconscious.
In her Threadbare series, Kasia Bytnerowicz explores the intrinsic qualities of the linen canvas, relegating paint to a supporting role. Some paintings depict white linen shirts hanging out to dry. They are drapery studies without a body, though a trace of the human form remains in the structure of the clothing. In others, the human form is covered with a white sheet, its shape barely discernible within the folds. Only white paint was used, suggesting underpainting. The canvas was not primed so it could be appreciated in its raw form. To emphasize the texture of the weave, the artist removed some threads from the woof and pulled others into an undulating pattern. She also embroidered the canvas to suggest buttons on the shirts. Traditional aspects of "women's work"—weaving, laundry, and embroidery—recur throughout the series. The result is a symphony in negative space and an intimate study of the very fabric of a painting.